“Horsegirls' basic plot and structure may not be unique, but the characters that tell it are.”

“James Gunn has a strong track record in filmmaking, but this might be his best effort to date.”

“What’s funny about Eddington, aside from a sense of humor that’s drier than the New Mexico desert, is how it plays with America’s existing political landscape and morphs it into a heightened sandbox for Aster to toy with.“

“Birthright is not an easy watch, but it is an affecting and hilarious one. There are several scenes that may rank among the most memorable of the year…”

“The film is far more interested in examining each man's rationalisation and character than deciding if they are moral or not.”

“This is Thailand’s fairytale, and what a pleasure it is to spend 135 minutes inside it.”

“ Some brilliant horror set-pieces are achieved despite the shoe-string budget, set-pieces that will have you genuinely questioning how they did that.”

“Towering images of canoodling Titanosaurs or the predatory eyes of Mosasaurs can’t change how unfortunately derivative the film is from previous entries.”

“While the film is equal parts a biography as well as a meditation on Maron’s process as an artist… it’s also, simply put, a very human story. ”

“Both a point A and a point B exist in Dead Man […] but Jarmusch’s filmmaking is not concerned with hooking us on the straight line between the two.”

“Not a second of this runtime feels unnecessary; rather, each unflinching moment is integral to the emotional core of this story.”

“Even if it’s a movie about aliens of all shapes and sizes, Elio still tells a cute and deeply human story about a boy who’s alone in a great big universe.”

“In its violence – which is, of course, the currency of the Wick universe – Ballerina finds success.”

“Re-Creation gives each juror their moment - it lets each point-of-view breathe, and it shows how, despite the conviction that lies behind each viewpoint, listening and open mindedness can go a long way.”

“Both a point A and a point B exist in Dead Man […] but Jarmusch’s filmmaking is not concerned with hooking us on the straight line between the two.”

Let’s take a look at what the ForReel team thinks will happen come Oscar night!

“… while the first half of the film is all about building, what the film's second half…made clear to me is that The Brutalist may be devoted to showing us construction, but it's about the counterfactual: The Brutalist is a story of desecration, in fear and in reality.”