“Both a point A and a point B exist in Dead Man […] but Jarmusch’s filmmaking is not concerned with hooking us on the straight line between the two.”

“Not a second of this runtime feels unnecessary; rather, each unflinching moment is integral to the emotional core of this story.”

“Even if it’s a movie about aliens of all shapes and sizes, Elio still tells a cute and deeply human story about a boy who’s alone in a great big universe.”

“In its violence – which is, of course, the currency of the Wick universe – Ballerina finds success.”

“Re-Creation gives each juror their moment - it lets each point-of-view breathe, and it shows how, despite the conviction that lies behind each viewpoint, listening and open mindedness can go a long way.”

“There’s a lot to like in Oh, Hi! First and foremost, it’s two leads: Molly Gordon and Logan Lerman.”

“It’s a film that truly makes you want to rewatch the animated version instead of seeking out this reimagining for a second viewing.”

“Between a trio of A-list talent…the runaway performer in ‘Materialists’ is far and away Chris Evans as John, who delivers his best work since 2019’s ‘Knives Out’.”

“Even if the story isn’t the franchise’s strongest, Predator fans will surely be happy here. “

“Not since Ari Aster’s Hereditary have I seen a horror film tackle uncomfortable family dynamics so well…”

“Whenever the aspect ratio would expand on the IMAX screen, I felt a little piece of my soul get closer to heaven.”

“It is a film that stands out for its animation, with a striking use of color that supports both narrative and visual storytelling…”

“…A Useful Ghost is a film that embodies pain and loss through a visual and auditory language influenced by other styles, yet also building its own identity.”

“As the music plays, the actresses kiss while the cinematography and editing align with the rhythm, portraying a moment of mutual understanding. “

“Both a point A and a point B exist in Dead Man […] but Jarmusch’s filmmaking is not concerned with hooking us on the straight line between the two.”

Let’s take a look at what the ForReel team thinks will happen come Oscar night!

“… while the first half of the film is all about building, what the film's second half…made clear to me is that The Brutalist may be devoted to showing us construction, but it's about the counterfactual: The Brutalist is a story of desecration, in fear and in reality.”