“Comedy Punks is a story of frustrations and failures, but it is not a story of giving up.”
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“Somewhere in this film is a story about shared traumas and grief, and the self-realizations born within…However, Campbell-Hughes doesn’t dive deep enough or write distinct enough voices for this story to take off, and so it stays mired.”
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“[Zahida Pirani] is able to illustrate authenticity by dedicating the film to real women in her hometown of Queens, New York.”
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“…in the end, it’s a game of style over substance for The Cellar."
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"Gold features a story that is lean and minimal, yet potent and unforgettable, thanks to Efron’s strong solo performance and Hayes’ remarkable sense of filmmaking.”
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“[Pattinson] is edgier, moodier, very emo, offering a performance that will be talked about for decades to come.”
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“Where other new-age isolated thrillers like Woman In the Window, The Voyeurs, and Sightless, falter, Kimi flourishes.”
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“Do is an unparalleled master at depicting horror in its most introspectively engaging form.”
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“In its many years sitting shelved, Out of the Blue was still seen by the right people, and now it primal-screams out again.”
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“Fortunately, the storytelling missteps rarely amount to more than anything audiences can’t laugh off with the film’s entertainment value and well-timed comedy.”
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“It all continues to raise the question, who signed off on this?”
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