The transition from demon horror to a classic creature feature is seamless, and the design of the Pischacha is one of the most impeccably designed indie-horror monsters I have ever seen.
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“Beyond any shadow of a doubt, Mike Cheslik’s slapstick action comedy Hundreds of Beavers is the year's funniest movie.”
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“Whenever the story threatens to reach soap opera levels of drama, Ghostface jumps in to remind the audience that they are indeed watching a horror film.”
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“[T]his pool is far from a hyper-chlorinated oasis; rather, it is a fetid, acid-laced, and psychosexual stew, one that pulls characters and viewers alike down into the murky depths of amorality and churns them into husks of the humans they once were.”
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“You don't expect a road-trip movie about cannibals to change your worldview, but Bones and All is poignant enough to do just that.”
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“Zombie has always dealt in nightmare matter, but in Halloween II the nightmare feels more personally upsetting, more visceral, more of-the-moment and more zeitgeist-informed than anything else he has produced.”
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“Once viewers get past the first act, Hellraiser is an enjoyable experience that I think horror fans will like.
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“Francesco Sossai’s Other Cannibals is a work of horror-realism so mired in its characters’ misguided meandering that it becomes something else entirely, a stark black almost-comedy of errors about two outcasts trying desperately to sink their teeth into life itself.”
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“The tension in the film will get your heart racing, unprepared for what is to come.”
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“…writer/director Damien Leone revives Art the Clown (David Howard Thornton, Terrifier) for another murderous rampage in Terrifier 2, quite possibly the most horrific and grusome movie you will see this year.”
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“There’s a lot of love to be given to Florence Pugh, who continues to prove that she’s one of the great movie stars in the world…”
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“Every slice, stab, and injury looks so realistic. At one point while looking at a broken leg, my stomach was turning.”
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“Pearl is a blood soaked nightmare I didn’t want to wake up from.”
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“With these top notch performances, a smartly written script, and a ghastly series of events, The Menu is sure to set itself apart as one of the most entertaining films of this season…”
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“The first act has some of the best tension in a horror/thriller in years.”
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“It plays more sardonically in the story that is less reminiscent of Clue and more like if the plastics of Mean Girls were dropped into Lord of The Flies.”
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“The B-side to Men takes its greatest qualities - its uneasiness, its Biblical metaphor, the brilliant performances of Buckley and Kinnear - and brings them to the edge of incomprehensibility.”
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“Carol Chrest (The Prophet's Game) crafted a clever script that deserved more love and care in production.”
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“Choose or Die doesn’t reach its full potential…yet, there’s enough style in the story to consistently hold my attention…”
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“…an uneasy score sets a haunting tone for the film and keeps the tension high as mild pacing and well placed long takes give scenes space to manifest suspense.”
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