“By design, The Drama is going to be a pot-stirrer at the very least.”
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“…it's a throwback and a contemporary action flick rolled into one—the type of movie that would've sold out stadiums in the late 90s.”
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“The central romance is as yearning-laden as it is tender, as Naim and Ryan’s chemistry levels are off the charts.”
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“For better or worse, there's not a minute of ‘I Love Boosters’ that doesn't feel authentically man-made.”
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“It’s been days since I’ve seen Project Hail Mary, and I’m still wrapping my head around how this movie exists and what we did to deserve it.”
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“Hoppers feels relatively uncompromised and fresh compared to the recent swath of Pixar sequels, effectively balancing entertainment and emotion to the animation studio’s signature splendid effect”
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“It’s an aggressively mediocre slasher movie dampened by the hideous stink of corporate meddling.”
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“…Crime 101 is a reliably well-oiled machine that, given its intimidating two-hour and twenty-minute runtime, moves fast and looks good doing it.”
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“For what appears to be a lower budget than Verbinski usually works with, he makes the most of it with his trademark blue-tinged visual aesthetics and playful energy. “
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“In the hands of a lesser filmmaker, ‘28 Years Later: The Bone Temple’ could’ve had the stink of a direct-to-DVD sequel, but instead exceeds (and subverts) all expectations.”
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“…the visual splendor of what’s now a nine-hour franchise is such a breathtaking work of cinematic craftsmanship that its cookie-cutter storytelling becomes entirely irrelevant.”
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“…by all metrics, Marty Supreme is so adrenaline-fueled that it feels like you’re about to overdose.”
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“It’s a beautiful cross between Inglourious Basterds and Tom and Jerry, and never fails to be an utter delight.”
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“…I worry that one of my favorite working directors might have reached his dog days.”
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“…’Predator: Badlands’ is an action-adventure blockbuster that serves as the saga’s biggest, boldest, and most ambitious entry yet.”
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“It’s a swan song as much as it is a victory lap, and the duo makes the most of their 100-minute runtime. It’s sweeter than it is bitter, but it’s also the end of an era for two of Toronto’s finest.”
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“…[Oliver] Laxe lulls you into a trance thanks to composer Kangding Ray’s electro-heavy score that feels like having your brain flossed.”
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“What’s funny about Eddington, aside from a sense of humor that’s drier than the New Mexico desert, is how it plays with America’s existing political landscape and morphs it into a heightened sandbox for Aster to toy with.“
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