“‘Scary Movie’ is neither funny nor clever... I don’t think I want White Chicks 2 anymore.”
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“Where ‘Tuner’ really shines is in its editing, sporting many great montages that keep the pace as tight as possible.”
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“In true contemporary Star Wars fashion, ‘The Mandalorian and Grogu’ is brazenly afraid of trying new things to its detriment…the great enshittification of the galaxy far, far away shows no sign of slowing down.”
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“From the casting of Jackson’s nephew, Jaafar Jackson, in the leading role to the involvement of Jackson’s own Optimum Productions, the pungent smell of vertical integration wafts throughout Michael. “
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“Lee Cronin’s The Mummy is less scary than it is mildly grotesque, resulting in what is—ironically—a haplessly gutless affair.”
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“Gruesome as it is, Hardcore Henry’s memorability comes from essentially being a live-action episode of Looney Tunes...It’s pure cinematic nutcasery, and I wouldn’t have it any other way.”
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“By design, The Drama is going to be a pot-stirrer at the very least.”
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“…it's a throwback and a contemporary action flick rolled into one—the type of movie that would've sold out stadiums in the late 90s.”
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“The central romance is as yearning-laden as it is tender, as Naim and Ryan’s chemistry levels are off the charts.”
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“For better or worse, there's not a minute of ‘I Love Boosters’ that doesn't feel authentically man-made.”
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“It’s been days since I’ve seen Project Hail Mary, and I’m still wrapping my head around how this movie exists and what we did to deserve it.”
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“Hoppers feels relatively uncompromised and fresh compared to the recent swath of Pixar sequels, effectively balancing entertainment and emotion to the animation studio’s signature splendid effect”
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“It’s an aggressively mediocre slasher movie dampened by the hideous stink of corporate meddling.”
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“…Crime 101 is a reliably well-oiled machine that, given its intimidating two-hour and twenty-minute runtime, moves fast and looks good doing it.”
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“For what appears to be a lower budget than Verbinski usually works with, he makes the most of it with his trademark blue-tinged visual aesthetics and playful energy. “
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“In the hands of a lesser filmmaker, ‘28 Years Later: The Bone Temple’ could’ve had the stink of a direct-to-DVD sequel, but instead exceeds (and subverts) all expectations.”
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“…the visual splendor of what’s now a nine-hour franchise is such a breathtaking work of cinematic craftsmanship that its cookie-cutter storytelling becomes entirely irrelevant.”
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“…by all metrics, Marty Supreme is so adrenaline-fueled that it feels like you’re about to overdose.”
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“It’s a beautiful cross between Inglourious Basterds and Tom and Jerry, and never fails to be an utter delight.”
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