“Rose Byrne continues her streak of forceful, unglamorous performances in Tow following career best work in If I Had Legs I’d Kick You.”
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“Obsession is an early contender for best horror film of the year.”
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“Ready or Not 2: Here I Come is a perfectly satisfying if entirely unremarkable redux of the original with just barely enough new wrinkles to feel worthwhile.”
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“It just could’ve been so much better if Carney had played to his screenwriting strengths and given us a dynamic centered around a deep and quickly growing friendship.”
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“Family Movie is at its’ most entertaining when it is existing at some divine intersection between The Studio and Serial Mom. It is a delight to watch the stressful on-set machinations of an indie film shooting on a quaint family farm.”
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“The jokes are delivered by an outstanding stacked cast who totally buy into this transgressive material, even if Hamedani’s screenplay doesn’t entirely deliver a satisfying gut punch.”
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“For better or worse, there's not a minute of ‘I Love Boosters’ that doesn't feel authentically man-made.”
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“…there are glimpses into what could’ve been a compelling portrait of young queer folks living on the outskirts of society, but they’re over quickly.”
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“Undertone feels like a forced live action video component to the kind of hokey, dime a dozen podcast that your co-worker swears is actually good".”
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“It’s been days since I’ve seen Project Hail Mary, and I’m still wrapping my head around how this movie exists and what we did to deserve it.”
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“Hoppers feels relatively uncompromised and fresh compared to the recent swath of Pixar sequels, effectively balancing entertainment and emotion to the animation studio’s signature splendid effect”
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“The direction is restrained; this may have the premise of a horror film but it is not paced that way.”
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“The kills are entertaining, if not blindingly silly — with an acute blindness to glaring plot holes.”
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“It’s an aggressively mediocre slasher movie dampened by the hideous stink of corporate meddling.”
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“For better or worse, this is an unapologetic celebration of Elvis, and a wildly entertaining one at that.”
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“It’s easy to leave the film believing that Fennell may be a better writer than expectation setter, and somehow bad at both.”
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“…Crime 101 is a reliably well-oiled machine that, given its intimidating two-hour and twenty-minute runtime, moves fast and looks good doing it.”
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“It is a film that is constantly selling. Fitting for a story dealing with the world of professional sports, but only slightly less bleak than the ads for different AI platforms that inundated the entire Super Bowl.”
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“Kogonada is skillfully able to pull the viewer out of one’s head and remind us that we’re all specs of of the same universe.”
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“Setting aside the plethora of issues that plague this movie, Whistle just…isn’t scary.”
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