“Every shot seems so meticulously planned and the vibrancy of color in the world constantly comes through and just floors you.”
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“Bertil Nilsson’s Masc is a beautiful and natural approach to examining the world of this autistic young man trying to fit into a world that doesn’t seem to have a role for him.”
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“The movie portrays the good and the bad of people taking matters into their own hands, and how the rage you may feel can mean nothing when that’s all you have."
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Memories of a Forest became an instant favorite for me this year. It hits close to home if you’ve ever been torn between your aspirations and your family’s needs.
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Nicoll puts together a wildly engaging experience that makes for one of the best films of the entire year.
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Miwa Nishikawa’s Children Untold is a tear jerking odyssey showing how society chews up those less fortunate and spits them out.
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“While some of the editing can feel choppy and kills some of the momentum at times, you’re always pulled right back in by the stellar cast and beautiful framing of each shot. The film has, if nothing else, plenty of heart.”
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The movie doesn’t constantly remind you of Bourdain’s greatness, instead asking you to see him at his worst in what’s ultimately an inspiring path to change.
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“Motor City is a perfectly fine popcorn flick if you’re willing to overlook and be less nitpicky about its obvious issues. It has solid action, a good cast, and some pretty well done editing that brings it all together.”
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“Mounia Akl and Hasan Akil share such a powerful chemistry that it’s rare a scene between them doesn’t pull at your heart. The two are a pair of incredibly thoughtful actors that bring the entire thing to life.”
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“[The Fast & the Furious] layered all the characters and their interpersonal conflicts well enough for the viewer to still care about the characters and not just the cars; it’s not about the cars, it’s about who’s behind the wheel.”
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