“Bertil Nilsson’s Masc is a beautiful and natural approach to examining the world of this autistic young man trying to fit into a world that doesn’t seem to have a role for him.”
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“The movie portrays the good and the bad of people taking matters into their own hands, and how the rage you may feel can mean nothing when that’s all you have."
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It’s not just about TIFF 2026’s slate paling in comparison to TIFF 2025’s (plus NYFF’s juggernaut 2026 lineup); some unfortunate issues made 2026’s festival quite lackluster.
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While The Last Photograph attempts to be an intimate, grounded thriller about vengeance and redemption, its narrative emptiness leaves it dead on arrival.
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“I understand that three-plus hours of dense thematic conversations may be a hard sell for some, but after all, patience is a virtue, and one that All of A Sudden rewards its audience for in spades.”
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Memories of a Forest became an instant favorite for me this year. It hits close to home if you’ve ever been torn between your aspirations and your family’s needs.
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Nicoll puts together a wildly engaging experience that makes for one of the best films of the entire year.
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Miwa Nishikawa’s Children Untold is a tear jerking odyssey showing how society chews up those less fortunate and spits them out.
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“Clunky as the effects are, when Hope moves, it moves. If you can overlook the visual effects, Hope’s action is rapturous to behold.”
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