While The Last Photograph attempts to be an intimate, grounded thriller about vengeance and redemption, its narrative emptiness leaves it dead on arrival.
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“Setting aside the plethora of issues that plague this movie, Whistle just…isn’t scary.”
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“Panahi employs few, if any, flashy camera moves or tricks, instead relying on long takes with a relatively stationary camera. This allows most of the focus to remain on the characters, who have differing proposals on how to escape their quagmire.”
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