“Despite [Martin McDonagh’s] desire to bring the horrific actions of the CIA during this era to light, Wild Horse Nine is a sheep in wolf’s clothing. [He] is afraid to make any of these characters truly vile in our eyes.”
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“A DC body horror film conceived by Flanagan could have been generational for both comic book and horror fans, but its execution and the departure of Flanagan turned his brilliant idea into an uneven mess.”
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“Elsinore doesn’t shy away from the tragedy and grief at the story’s core but it puts connection amongst those who are still here first.”
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“[The Face of Horror is] a delectable balm in a landscape where most stories with this aesthetic are laborious Game of Thrones spin-offs or rip-offs. It still tackles the bleak themes of sexist oppression those stories often lean on but with a lighter, less exploitive touch.”
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It really is heartbreaking that this film is written as poorly as it is, as in the age of seemingly more and more art being created by artificial intelligence, this film can at times be a wonderful reminder of what humans are capable of.
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It turns out that parenting is not easy. Moreover, becoming a parent to your own parents is not easy. This hardship was a common theme at this year’s Vancouver International Film Festival.
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“While it does have its moments in some well put together fight scenes and occasional character moments, it constantly feels bogged down by a lack of stakes and some questionable one-liner jokes.”
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A lot of the vitriol for Klara and the Sun will likely be a bit more over the top than necessary…as a Sci-Fi tearjerker for the older kiddos and teenagers, it’s perfectly serviceable.
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“…however much you think you might know about Holmes’ legal situation or Fielder’s style cannot prepare you for the sheer magnitude of You Can See Everything.”
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Much of this week’s viewings have been a reminder of just how reactive horror can be.
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“Amazomania leaves us grappling with difficult questions about the ethics of making contact with uncontacted peoples, and the responsibility that comes with documenting their lives.”
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“Every shot seems so meticulously planned and the vibrancy of color in the world constantly comes through and just floors you.”
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“Bertil Nilsson’s Masc is a beautiful and natural approach to examining the world of this autistic young man trying to fit into a world that doesn’t seem to have a role for him.”
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“There’s nothing to extrapolate from The Social Reckoning that you either don’t already know or can’t find on a Wikipedia page, leaving me wondering what the point of this whole affair was.”
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“The movie portrays the good and the bad of people taking matters into their own hands, and how the rage you may feel can mean nothing when that’s all you have."
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“As a start to the marathon, this week has contained a rather excellent lineup!”
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Even though Digger doesn’t thematically gel as well as it needs to…Iñárritu is bold to address our culture’s lack of sincerity in such an elaborate manner.
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Showalter and writer Nick Antosca seem to be reaching for a Verhoeven-esque tone that really falls flat on its face the more you unpack it.
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“…for those who deeply appreciate the craftsmanship of great editing, production design, score, etc. there is a lot to love in Primetime.”
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It’s not just about TIFF 2026’s slate paling in comparison to TIFF 2025’s (plus NYFF’s juggernaut 2026 lineup); some unfortunate issues made 2026’s festival quite lackluster.
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