“‘Noviembre’ is an astonishing work of filmmaking, and one of the best not just of TIFF, but of the year so far.”
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“It’s a swan song as much as it is a victory lap, and the duo makes the most of their 100-minute runtime. It’s sweeter than it is bitter, but it’s also the end of an era for two of Toronto’s finest.”
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“…[Oliver] Laxe lulls you into a trance thanks to composer Kangding Ray’s electro-heavy score that feels like having your brain flossed.”
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“The film leaves you in such a disquieting state, allowing for the chance to really reflect on and ponder so many of the key ideas and themes here through such a personal lens. I know I haven’t been able to shake the film for weeks.”
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“The Bearded Girl is a fine little film with a great central performance.”
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“The Well might tread on some familiar territory, but its well-defined characters –particularly the performance by McCarthy as the antagonist – and well-thought-out world make it perhaps not unique, but entirely believable.”
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“Horsegirls' basic plot and structure may not be unique, but the characters that tell it are.”
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“James Gunn has a strong track record in filmmaking, but this might be his best effort to date.”
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“What’s funny about Eddington, aside from a sense of humor that’s drier than the New Mexico desert, is how it plays with America’s existing political landscape and morphs it into a heightened sandbox for Aster to toy with.“
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“Birthright is not an easy watch, but it is an affecting and hilarious one. There are several scenes that may rank among the most memorable of the year…”
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