“The Man I Love…is one of the most prominent examples of [Ira Sachs] unique strength: Knowing what to leave out of his stories.”
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“[The Julia Set] manages to make its mathematics and human story equally uninteresting.”
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“Ha-Chan is no doubt one of the most interesting protagonists in the movies this year.”
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“I’m not quite sure if The Beloved comes all the way together, but its performances intrigued me, along with its depiction of filmmaking, and its argument that art is inherently personal, no matter our intentions.”
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“…although it is good-natured, it plays like a pastiche of better, more cohesive animated films.”
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“This becomes a movie concerned with bombast when it should be concerned with humanity.”
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“The movie has a lot going for it—beautiful photography, clever staging, a splendid cast—but takes a little too long to get going…”
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“The Dog Stars is oddly indifferent to humanism, even when the preciousness of human connection is the film’s overarching theme. “
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“Perhaps it is true, the Ridley Scott working today is not the Ridley Scott who made Alien and Blade Runner…but the occasionally interesting project will appear, highlighting the massive inconsistency of his output.”
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“…it gave me as good a time as a nice pickleball match: low stakes, great players.”
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“Enola looks at the camera so often that it serves as a complete distraction to the story, which is otherwise borderline functional.”
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