“Observing [Hirayama], we see how a warm, personal splendour can be culled from even the most banal of instances.”
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“…Love Lies Bleeding pulls no punches, figuratively and literally.”
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“There’s a magnetism to [Jodie Comer’s] performance, a genuine electricity whenever she’s on the screen held only by the truest and best actors.”
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“[L]ike the best soups, Here is a film that takes its time, lets its components simmer and comingle, develop their depth at a pace that feels natural.”
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“The Royal Hotel is a masterclass in tension building.”
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“[Adele] Lim protects the heart of the story while still going full throttle with the raunchy humor.”
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“The Beasts thrives on a well curated sense of simmering tension throughout the movie.”
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“…Rye Lane isn’t about the destination, it’s about the journey - a lesson Yas and Dom learn with each other that is then passed on to the audience.”
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“[B]y stymying Ben in his narcissism, Park achieves both a less-clichéd depiction of Asian-Americans, and a fertile zone for urgent and reflexive cultural critiques.”
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“Slow is an honest and respectful look into asexuality, providing the audience with the opportunity to reconsider their own definition of intimacy.”
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“What truly makes Empire of Light so captivating, however, are the visuals by cinematographer Roger Deakins (1917) and score by Trent Reznor and Atticus Ross (Gone Girl).”
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