“Brand New Day is the first live action Spider-Man film since the end of Sam Raimi’s trilogy to not take its audience for granted…It is the first MCU film in years to inspire genuine childlike glee in me.”
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“Some will accuse it of chasing the trite trend of “horror movies about grief and trauma” and that is somewhat true, but instead of supplementing that with esoteric arthouse scares, it smashes a classic horror franchise into one of those stories to create a thrilling combination that feels fresh.”
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“‘Toy Story’ has gone from a millennial childhood staple to a life affirming saga that has cemented a unique creative voice for a second era of storytelling with this fifth entry.”
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“Carolina Caroline is delightfully old school in many aspects but at heart, it’s true thrills simply come from watching Weaving and Gallner take each other in.”
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‘It’s dread, it’s anticipation, it’s curiosity. It’s a frozen, unblinking, “What do I do?’”
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“…this is one of the best concert films of the decade so far.“
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“The Christophers is effortlessly crafted.”
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“The central romance is as yearning-laden as it is tender, as Naim and Ryan’s chemistry levels are off the charts.”
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“In an era where it feels like the old guard of horror is gone…it’s a pleasure to have someone like Sam Raimi come in to show everybody else how it’s done.”
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“In the hands of a lesser filmmaker, ‘28 Years Later: The Bone Temple’ could’ve had the stink of a direct-to-DVD sequel, but instead exceeds (and subverts) all expectations.”
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“…the visual splendor of what’s now a nine-hour franchise is such a breathtaking work of cinematic craftsmanship that its cookie-cutter storytelling becomes entirely irrelevant.”
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“It’s a swan song as much as it is a victory lap, and the duo makes the most of their 100-minute runtime. It’s sweeter than it is bitter, but it’s also the end of an era for two of Toronto’s finest.”
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“What’s funny about Eddington, aside from a sense of humor that’s drier than the New Mexico desert, is how it plays with America’s existing political landscape and morphs it into a heightened sandbox for Aster to toy with.“
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“Not a second of this runtime feels unnecessary; rather, each unflinching moment is integral to the emotional core of this story.”
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“Even if it’s a movie about aliens of all shapes and sizes, Elio still tells a cute and deeply human story about a boy who’s alone in a great big universe.”
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“The scenes of Baptiste on the rampage almost threaten to become repetitive…but it only serves to heighten just how exhausting things must be for her.”
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"If there’s any film you should simply let unfold before your eyes instead of actively trying to figure it out, it’s this one. "
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“Observing [Hirayama], we see how a warm, personal splendour can be culled from even the most banal of instances.”
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“…Love Lies Bleeding pulls no punches, figuratively and literally.”
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