It really is heartbreaking that this film is written as poorly as it is, as in the age of seemingly more and more art being created by artificial intelligence, this film can at times be a wonderful reminder of what humans are capable of.
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Showalter and writer Nick Antosca seem to be reaching for a Verhoeven-esque tone that really falls flat on its face the more you unpack it.
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“…this is one of the best concert films of the decade so far.“
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