“Rose Byrne continues her streak of forceful, unglamorous performances in Tow following career best work in If I Had Legs I’d Kick You.”
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“Obsession is an early contender for best horror film of the year.”
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“Ready or Not 2: Here I Come is a perfectly satisfying if entirely unremarkable redux of the original with just barely enough new wrinkles to feel worthwhile.”
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“It just could’ve been so much better if Carney had played to his screenwriting strengths and given us a dynamic centered around a deep and quickly growing friendship.”
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“Family Movie is at its’ most entertaining when it is existing at some divine intersection between The Studio and Serial Mom. It is a delight to watch the stressful on-set machinations of an indie film shooting on a quaint family farm.”
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“The jokes are delivered by an outstanding stacked cast who totally buy into this transgressive material, even if Hamedani’s screenplay doesn’t entirely deliver a satisfying gut punch.”
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“…there are glimpses into what could’ve been a compelling portrait of young queer folks living on the outskirts of society, but they’re over quickly.”
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“Undertone feels like a forced live action video component to the kind of hokey, dime a dozen podcast that your co-worker swears is actually good".”
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“The direction is restrained; this may have the premise of a horror film but it is not paced that way.”
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“For better or worse, this is an unapologetic celebration of Elvis, and a wildly entertaining one at that.”
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“It is a film that is constantly selling. Fitting for a story dealing with the world of professional sports, but only slightly less bleak than the ads for different AI platforms that inundated the entire Super Bowl.”
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“So rarely do we get a story like Pillion that is entirely comfortable dwelling in the ambiguity that stems from living a marginalized lifestyle.”
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“[Mark] Fischbach’s overzealous attempt to craft a complex character driven story around the lore of a 2022 indie video game - essentially a windowless submarine simulator - sinks.”
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“Wonder Man is a pure passion project driven by a desire to make everyone who has somehow stuck around feel something again.”
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“Strap in: you never know what Drax and the guy who almost got cast as Drax are going to say next.”
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“…on the whole this series has devolved into dour sludge, decaying alongside the world it depicts.”
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“…none of the emotional beats in We Bury The Dead hold a candle to the heartbreaking apocalyptic family saga that Danny Boyle began in 28 Years Later earlier this year.”
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“I cannot imagine how a Silent Night, Deadly Night remake could’ve gone any better than this.”
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“My issue with these movies is technical. These animatronics are simply too large and cumbersome to lend themselves to any entertaining on screen chaos.”
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“This is absolutely a worthy and thoughtful second outing for Nick and Judy, even if it does mostly adhere to formula.”
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