“Rose Byrne continues her streak of forceful, unglamorous performances in Tow following career best work in If I Had Legs I’d Kick You.”
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“The direction is restrained; this may have the premise of a horror film but it is not paced that way.”
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“…Crime 101 is a reliably well-oiled machine that, given its intimidating two-hour and twenty-minute runtime, moves fast and looks good doing it.”
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“This is absolutely a worthy and thoughtful second outing for Nick and Judy, even if it does mostly adhere to formula.”
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“Birthright is not an easy watch, but it is an affecting and hilarious one. There are several scenes that may rank among the most memorable of the year…”
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“Complaints aside, there are numerous things to enjoy with Deadpool & Wolverine if one can view it as a standalone buddy-comedy movie rather than the next chapter of the MCU.”
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“The plot is also a touch predictable but that doesn't matter because The Greatest Hits is a vibes movie, and you have to vibe with it.”
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“…one can’t help but fall in love with the quirky originality in writer/director Caroline Lindy’s directorial debut".”
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“The technical aspects of the film are spot on, and with this kind of attention to detail with production value, I understand how The Color Purple was a qualified candidate for an adaptation from the stage to the screen.”
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The transition from demon horror to a classic creature feature is seamless, and the design of the Pischacha is one of the most impeccably designed indie-horror monsters I have ever seen.
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“Blood for Dust is a slow burn, for sure, but its intentional direction from Rod Blackhurst allows the tense atmosphere to build.”
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“The film gets a lot of mileage out of its suspenseful premise.”
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“The film is strongest when it focuses on Summer's music and her creative process.”
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“[Plane] takes audiences back to a time where one could enjoy a brisk, gripping action flick that doesn't attempt to outsmart itself.”
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“…The Way of Water positions the Avatar franchise as a blockbuster series based specifically on technical - not storytelling - prowess.”
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“Many of the script's flaws can be overlooked by Hawkins excellent performance. She is, in my opinion, the best part of the film, and succeeds with her portrayal of a woman who is determined to achieve her goal in spite of all odds.”
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“…an uneasy score sets a haunting tone for the film and keeps the tension high as mild pacing and well placed long takes give scenes space to manifest suspense.”
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“Reinsve, in a Cannes Best Actress-winning performance, embodies all the tumult of her character’s wild and wavering inhibitions, her angst filtered into pointed attacks as often as it is re-directed inwards.”
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“…Time forgoes the legwork to support Sibil’s grievances, and I spent the duration of the documentary troubled by that.”
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“…Paunovic, particularly, is especially convincing in keeping audiences guessing whether he’s a friend of foe.”
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