“Silvicola is less a probing and argumentative documentary than it is a visual essay or a tone poem, and it’s as committed to its task of illuminating people’s stories as it is to wandering off to take in the scenery.”
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“Observing [Hirayama], we see how a warm, personal splendour can be culled from even the most banal of instances.”
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“[L]ike the best soups, Here is a film that takes its time, lets its components simmer and comingle, develop their depth at a pace that feels natural.”
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“[I]f the placidity of the filmmaking inspires in you any sort of zen-like patience, then it will also disarm and entrance you in profoundly stirring ways.”
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“[Riceboy Sleeps] is a staggeringly inspired work, one that communicates the utmost respect for its characters, while also celebrating their flaws, and allowing the performances behind them to shine.”
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“As Paterson patiently illustrates across seven days in the life of its namesake, […] revelations come when they’re meant to, when deliberate and sensitive approaches to life, no matter how taxing, foster in one feelings of completeness, and when that completeness nourishes the mind.”
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Mind mapping the role that dreams play in the central mystery and interlinking narratives of Villeneuve’s 2017 masterpiece.
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“By emphasizing aesthetics […] Castel ignores the potent emotional currents that her actors work to channel and her script tries to suggest.”
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“[B]y stymying Ben in his narcissism, Park achieves both a less-clichéd depiction of Asian-Americans, and a fertile zone for urgent and reflexive cultural critiques.”
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“[T]his pool is far from a hyper-chlorinated oasis; rather, it is a fetid, acid-laced, and psychosexual stew, one that pulls characters and viewers alike down into the murky depths of amorality and churns them into husks of the humans they once were.”
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“Unless you’re particularly embittered, this film’s commitment to mining pathos from groan-worthy small talk is what will probably make you “come around” to it in the end […]”
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