“It might be the least Spike Lee Spike Lee film, but he and cinematographer Matthew Libatique make sure that it is still very much a Spike Lee film at least in tone and feel.”
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“…Lee wants us considering the ripple effects that these cold-blooded killings have on a hyper-proud, hyper-macho and fiercely tight-knit community…”
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“Bamboozled doesn’t work today because its satire was strictly true in 2000. It works because it’s still true today.”
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“The details are so particular and unique, ‘Crooklyn’ becomes immediately and infectiously transportive; it’s a step back in time in film-form.”
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“…It's a story that deserves to be on the big screen, and as you might expect, Spike Lee keeps that 70's soul feeling fresh through the soundtrack and visual style of the film…”
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