“Everything sort of bleeds into the next, and it does so in a very gradual manner so as to lull you into a dreamlike state of foggy half-remembrance.”
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“The structure of When Worlds Collide reveals itself like so many portraits of steadfast artists before it, but that’s because it has to go about depicting an unfamiliar name in a familiar light.”
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“…at the core of Ann’s story is a fascinating mystery pertinent to the ergregious situation at hand and the whole world of art as we know it.”
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“No scenes are elaborated on beyond what they need to convey, and contemplative editing keeps each shot stoic and deliberate.”
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“The festival will be taking place March 16th to March 20th.”
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“Taylor and I are drawing things to a close with this final wrap-up of notable films each of us had the privilege to experience at this year’s virtual festival.”
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“Gun control isn’t the topic here, and the mindfulness of the script allows the film to be about something more compelling.”
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“Credit where credit is due however, John And The Hole bolsters solids performances from its core cast.”
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“Taylor Beaumont leads a conversation with Thomas Stoneham-Judge and Taylor Baker from Drink In The Movies about their experiences with the festival.”
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“This film bristles and pulses with colour and texture – scales, fur, and veins contrasting and coalescing in wild and layered compositions. Creative transitions make it all harmonize.”
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“The editing, cinematography, the colours, and the performances all work in a sincere and elemental harmony, helping define Jockey not by a few standout scenes but by the overall impression it leaves in the end.”
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