“Taylor and I are drawing things to a close with this final wrap-up of notable films each of us had the privilege to experience at this year’s virtual festival.”
Read More
“Gun control isn’t the topic here, and the mindfulness of the script allows the film to be about something more compelling.”
Read More
“Credit where credit is due however, John And The Hole bolsters solids performances from its core cast.”
Read More
“Taylor Beaumont leads a conversation with Thomas Stoneham-Judge and Taylor Baker from Drink In The Movies about their experiences with the festival.”
Read More
“This film bristles and pulses with colour and texture – scales, fur, and veins contrasting and coalescing in wild and layered compositions. Creative transitions make it all harmonize.”
Read More
“The editing, cinematography, the colours, and the performances all work in a sincere and elemental harmony, helping define Jockey not by a few standout scenes but by the overall impression it leaves in the end.”
Read More
“Wright’s restrained direction keeps things hushed and listless, and the film’s images inspire a calm and awe.”
Read More
“The characters of Eight for Silver are maddeningly flat, almost rendered static by the film’s dark tones, while Ellis’ script gives them precious little to actually do.”
Read More
“As if I Was A Simple Man is this year’s Portrait Of A Lady On Fire when it comes to sound, the film captures every nuance of every sound in exquisite detail.”
Read More
“In 2008, the band Sparks committed to performing 21 of their albums in full across 21 nights. Four additional albums later, in 2021, Edgar Wright seems committed to doing the exact same thing via documentary.”
Read More