“This is what distinguishes Some Kind of Intimacy from other short-form non-fiction; how the conceptual, the physical, and the emotional aspects of the film blend to curate a sense of serenity which naturally inspires contemplation.”
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“This year, North Bend Film Festival has returned with a hybrid version of the festival featuring a wide selection of feature length films, short films, and in-person experiences and activities.”
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“What The Sleepless Unrest does demonstrate, however, is how equipped the Whelptons are for conveying spookiness in film.”
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“…to call the story that unfolds “fascinating” is an understatement.”
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“Blind Ambition is a feel-good and affirming documentary that speaks volumes to the conviction we invent as we reconcile traditions ingrained with those discovered, Old World with New World.”
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“All the characters of the film are pawns—to a certain extent—and this is where the film taps into an unmistakably “sci-fi” brand of dread, its world’s technology distorting conceptions of autonomy and selfhood into the horror of something unknown.”
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With [Werewolves Within] being released domestically on June 25th and on VOD July 2nd, Thomas Stoneham-Judge invited creator and editor-in-chief of Into:Screens, Seth Eelen, to talk about it.
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“…[Wyatt] Rockefeller’s first foray into feature length narrative filmmaking delivers on many respectable fronts.”
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“…the film’s tightly framed shots convey with lurid detail the strain Alex enacts on her body during row sessions; the film’s set pieces abstracting place and time into pure sweat and adrenaline.”
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“Through Samay’s story—his toying with coloured lenses and his fashioning of a sewing machine-powered shutter for his projector—our interest and appreciation for projection and the filmmaking process is renewed.”
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“The presentation works well in conjunction with the story to make the unsettling nature of the film creep in slowly and arrest your attention.”
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