I talk with writer Dennis Kelly about the new film he wrote, TOGETHER, and his approach to writing this story.
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In this wrap up discussion, we all talk about what our favorite films of the festival were. Did we mention some of your favorites?
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“All the Moons is slower-paced vampire fare, and short on the grisly thrills that fans of the genre have come to love, but it is thick with the genre’s intoxicating moroseness, and an almost storybook-like structure with distinct phases.”
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“Art. Culture. Style. These are just a few of the topics Phil and I cover in regards to Dreams On Fire, and our conversation is nearly as fun and vibrant as the film itself.”
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“The dark comedy aspect of the film is an asset to the entertainment value.”
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“McKie enlisted real dancers in the Tokyo scene for his film, and it is both exhilarating and enlightening to see how the dance styles of popping, locking, voguing, krumping and more express themselves with Tokyo’s modern hip-hop disciples.”
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“…meticulous attention to detail…brisk pacing, and the comedic interactions between the characters lends this film to being easily rewatchable.”
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“Hotel Poseidon arrives at Fantasia International a mold and muck-ridden disasterpiece of nightmare cinema.”
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“Reece yanks at the strings behind Agnes with devilish glee, and builds upon the chops he earned in his previous two horrors to make Agnes his most spellbinding and formally refined picture yet.”
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“Fantasia 2021 will run August 5 -25 with, as usual, a fascinating selection of genre films, talks, and experiences.”
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BFF runs for a week, from today August 2nd to August 8th.
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POTATO DREAMS OF AMERICA debuted this year at SXSW 2021. With it's screening at NBFF, Thomas was able to talk with Seattle-based director Wes Hurley about the film.
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“This is what distinguishes Some Kind of Intimacy from other short-form non-fiction; how the conceptual, the physical, and the emotional aspects of the film blend to curate a sense of serenity which naturally inspires contemplation.”
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“This year, North Bend Film Festival has returned with a hybrid version of the festival featuring a wide selection of feature length films, short films, and in-person experiences and activities.”
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“What The Sleepless Unrest does demonstrate, however, is how equipped the Whelptons are for conveying spookiness in film.”
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“…to call the story that unfolds “fascinating” is an understatement.”
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“Blind Ambition is a feel-good and affirming documentary that speaks volumes to the conviction we invent as we reconcile traditions ingrained with those discovered, Old World with New World.”
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“All the characters of the film are pawns—to a certain extent—and this is where the film taps into an unmistakably “sci-fi” brand of dread, its world’s technology distorting conceptions of autonomy and selfhood into the horror of something unknown.”
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With [Werewolves Within] being released domestically on June 25th and on VOD July 2nd, Thomas Stoneham-Judge invited creator and editor-in-chief of Into:Screens, Seth Eelen, to talk about it.
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“…[Wyatt] Rockefeller’s first foray into feature length narrative filmmaking delivers on many respectable fronts.”
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