"What was initially a nuanced foray into queer kinship and mental health thus turns into another film about a mediocre artist and his ‘insightful’ depths—as if cinema needed any more of these."
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"...the film’s lack of deep and meaningful character exploration renders [Ben Fosters] performance ineffective."
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“Romulus has all of the bells and whistles that the Alien films are known for, but merely uses them to create yet another forgettable Alien film.”
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“Jam-packed with wonderfully foreboding cinematography, incredible sound design, and a mind-bending plotline that culminates in a truly electric finale, Cuckoo is certainly one of the most flat-out fun movies of the year.”
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“Francis Ford Coppola is one of the great auteurs of cinema, but sometimes with auteur theory we lose sight of how much of a collaborative process filmmaking is.”
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“Complaints aside, there are numerous things to enjoy with Deadpool & Wolverine if one can view it as a standalone buddy-comedy movie rather than the next chapter of the MCU.”
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“What matters in a film like Twister is brisk pacing, helicopter shots, industrial fans, and (at the time) state-of-the-art visual effects. The simplicity is key.”
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“Longlegs knowingly wears its predecessors on its sleeve before taking a mind-bending sharp turn into something that the marketing has hidden exceptionally well. Perkins deliberately presents Longlegs as one thing before subverting it into something else entirely…”
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“Gasoline Rainbow is a blissfully endearing ode to youth, friendship, and purest notion of adventure.”
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“As a character, Maxine surpasses Pearl’s dreams of grandeur tenfold as she becomes a true movie star. However, in an ironic twist of events, MaXXXine fails to surpass Pearl as a film, serving as a mildly unsatisfying conclusion to one of my favorite trilogies in recent memory.”
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