“Somewhere in this film is a story about shared traumas and grief, and the self-realizations born within…However, Campbell-Hughes doesn’t dive deep enough or write distinct enough voices for this story to take off, and so it stays mired.”
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“[Zahida Pirani] is able to illustrate authenticity by dedicating the film to real women in her hometown of Queens, New York.”
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“…in the end, it’s a game of style over substance for The Cellar."
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"Gold features a story that is lean and minimal, yet potent and unforgettable, thanks to Efron’s strong solo performance and Hayes’ remarkable sense of filmmaking.”
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“[Pattinson] is edgier, moodier, very emo, offering a performance that will be talked about for decades to come.”
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“Where other new-age isolated thrillers like Woman In the Window, The Voyeurs, and Sightless, falter, Kimi flourishes.”
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“Do is an unparalleled master at depicting horror in its most introspectively engaging form.”
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“In its many years sitting shelved, Out of the Blue was still seen by the right people, and now it primal-screams out again.”
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“Fortunately, the storytelling missteps rarely amount to more than anything audiences can’t laugh off with the film’s entertainment value and well-timed comedy.”
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“It all continues to raise the question, who signed off on this?”
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“The narrative of Uncharted is like National Treasure meets Indiana Jones on steroids…”
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“The whole cast shines, but Stephen Graham’s performance as head chef Andy truly dazzles.”
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“[Jenna] Ortega is the moment, but even more so, the future.”
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“Words can’t fully capture the impact of Flee. It's a film that begs to be seen; to be experienced.”
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“As we like to do, Taylor Beaumont and myself hopped on a video call with our friend Taylor Baker from Drink In The Movies in Seattle to discuss which films we saw that stood out the most to us.”
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“In Katia and Maurice, Dosa has found a real-life fairytale; a too-pure and wholesome tale of love that will echo throughout the ages and teach us how to better care for ourselves and for our world.”
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“…It is as if the film is dictated by a horny energy that threatens to unspool its entire construction.”
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“…as we see in the case of Boeing, the consequences of not asking enough questions about conglomerates claiming to be doing the right thing can be devastating.”
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“As the lanky and terminally unenthused Lea, McInerny assumes the role of the almost-invisible everygirl in America, the one wading in the shallow, tepid waters of suburbia, often housing a sordid story the world would prefer to ignore.”
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“Kogonada’s biggest strength as a filmmaker is his ability to align himself with his characters, and to demonstrate with his craft that he too is as invested in these soul-nourishing searches as they are.”
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