“Grindhouse was big in the 70’s because they were cheap, easy to make, and knew how to get butts in the seats with gratuitous violence and lots of nudity. Ti West elevates the style in a very meta way.”
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“For all of its CGI set pieces and A-list co-stars…there’s next to nothing going on beneath the surface of The Adam Project.”
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“If you’re on board, sticking with Morosini’s rollercoaster will yield zany and icky surprises, as well as some delightfully committed performances.”
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“Comedy Punks is a story of frustrations and failures, but it is not a story of giving up.”
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“Somewhere in this film is a story about shared traumas and grief, and the self-realizations born within…However, Campbell-Hughes doesn’t dive deep enough or write distinct enough voices for this story to take off, and so it stays mired.”
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“[Zahida Pirani] is able to illustrate authenticity by dedicating the film to real women in her hometown of Queens, New York.”
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“…in the end, it’s a game of style over substance for The Cellar."
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"Gold features a story that is lean and minimal, yet potent and unforgettable, thanks to Efron’s strong solo performance and Hayes’ remarkable sense of filmmaking.”
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“[Pattinson] is edgier, moodier, very emo, offering a performance that will be talked about for decades to come.”
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“Where other new-age isolated thrillers like Woman In the Window, The Voyeurs, and Sightless, falter, Kimi flourishes.”
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“Do is an unparalleled master at depicting horror in its most introspectively engaging form.”
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