“Never has the Okanagan looked better—as rich and as lush—as in the frames of Jarvis’ film, Jeremy Cox’s gorgeous 16mm photography giving the area a tactility and a glow that digital simply couldn’t have offered.”
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“Audiences drawn to Causeway for either [Jennifer Lawrence or Brian Tyree Henry] will not be disappointed with what they offer the film.”
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“The first act has some of the best tension in a horror/thriller in years.”
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“Triangle of Sadness is a premium experience where classist themes and riotous drama are served on a silver platter.”
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“[T]he performances encompassed in Aronofsky’s film are deeply felt, vulnerable, and searing; the emotions they lay to waste numerous; the awe they command unquestionable.”
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“An eclectic montage of restored concert footage, Bowie interviews, and roughly every important piece of art of the 20th century (from Bergman to the Beatles) makes Moonage Daydream one of the most visually arresting films of the year.”
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“On The Come Up is filled with tender, heartfelt moments that set an endearing tone for the film.”
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“Radcliffe commits with panache a whole 108-minutes worth of manic energy and physicality to screen, a performance liable to leave you feeling the effects of a sugar rush.”
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“[Aubrey] Plaza commits to her role, offering one of the most riveting performances of the year so far.”
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“In the balance between style and substance, Please Baby Please wields both in a pleasantly symbiotic manner, deftly pairing its neon 1950’s setting with bewitching tension and ample sex appeal between its characters.”
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“A pandemic and mid-tier movie drought have ravaged theaters, taking their Twinkies off the shelves. But with Bullet Train, shamelessly glutenous cinema is back and I’m here for it.”
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