“Once viewers get past the first act, Hellraiser is an enjoyable experience that I think horror fans will like.
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“Francesco Sossai’s Other Cannibals is a work of horror-realism so mired in its characters’ misguided meandering that it becomes something else entirely, a stark black almost-comedy of errors about two outcasts trying desperately to sink their teeth into life itself.”
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“The tension in the film will get your heart racing, unprepared for what is to come.”
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“…writer/director Damien Leone revives Art the Clown (David Howard Thornton, Terrifier) for another murderous rampage in Terrifier 2, quite possibly the most horrific and grusome movie you will see this year.”
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“There’s a lot of love to be given to Florence Pugh, who continues to prove that she’s one of the great movie stars in the world…”
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“Meandering rhetoric…steers focus away from the purpose of the film: how the fantastic world of Oz got baked into Lynch’s subconscious.”
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“Glass Onion is a fun time that begs to be experienced with others.”
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“The big goofy grin you’ll be wearing on your face throughout the runtime, that is pure Spielberg. Scene after scene of this film hits every big emotional beat that you want from a heart-on-its-sleeve, Hollywood production.”
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Todd’s capsule reviews for The Banshees of Inisherin, Biosphere, The Eternal Daughter, and The Son
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“Every slice, stab, and injury looks so realistic. At one point while looking at a broken leg, my stomach was turning.”
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In light of the ForReel team having recently been in Toronto, and in light of Egoyan’s Toronto-set sixth feature being released by the Criterion Collection, I re-investigate the film’s particular brand of erotica.
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“…the undeniable truth with The Woman King is that it contains some of the best acting performances of the year. Viola Davis is an absolute showstopper.”
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“Pearl is a blood soaked nightmare I didn’t want to wake up from.”
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“What this leaves us with is a white-knuckle thriller, a playbook meticulously crafted for ecoterrorists, and a damn great movie.”
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“With these top notch performances, a smartly written script, and a ghastly series of events, The Menu is sure to set itself apart as one of the most entertaining films of this season…”
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“Never has the Okanagan looked better—as rich and as lush—as in the frames of Jarvis’ film, Jeremy Cox’s gorgeous 16mm photography giving the area a tactility and a glow that digital simply couldn’t have offered.”
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“Audiences drawn to Causeway for either [Jennifer Lawrence or Brian Tyree Henry] will not be disappointed with what they offer the film.”
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“The first act has some of the best tension in a horror/thriller in years.”
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“Triangle of Sadness is a premium experience where classist themes and riotous drama are served on a silver platter.”
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“[T]he performances encompassed in Aronofsky’s film are deeply felt, vulnerable, and searing; the emotions they lay to waste numerous; the awe they command unquestionable.”
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