“If you’re on board, sticking with Morosini’s rollercoaster will yield zany and icky surprises, as well as some delightfully committed performances.”
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“Comedy Punks is a story of frustrations and failures, but it is not a story of giving up.”
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“Somewhere in this film is a story about shared traumas and grief, and the self-realizations born within…However, Campbell-Hughes doesn’t dive deep enough or write distinct enough voices for this story to take off, and so it stays mired.”
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“In its many years sitting shelved, Out of the Blue was still seen by the right people, and now it primal-screams out again.”
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“In Katia and Maurice, Dosa has found a real-life fairytale; a too-pure and wholesome tale of love that will echo throughout the ages and teach us how to better care for ourselves and for our world.”
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“…It is as if the film is dictated by a horny energy that threatens to unspool its entire construction.”
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“As the lanky and terminally unenthused Lea, McInerny assumes the role of the almost-invisible everygirl in America, the one wading in the shallow, tepid waters of suburbia, often housing a sordid story the world would prefer to ignore.”
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“Kogonada’s biggest strength as a filmmaker is his ability to align himself with his characters, and to demonstrate with his craft that he too is as invested in these soul-nourishing searches as they are.”
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“Teaming up with screenwriter Lauryn Kahn, [Cave] has spun a contorted tale of modern dating, which throughout its two-hour runtime keeps its unique mélange of horror stewing and always developing new flavours.”
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“The confused in Stroszek are poignantly realized in Herzog’s immigrants, who, as well as battling internal conundrums, are also facing culture shock, discrimination, language barriers, and more.”
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“The French Dispatch […] is as exuberant, whimsical, and meticulous as anything Anderson has produced, while also being chock full of an intoxicating mélange of new tricks.”
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