“Grindhouse was big in the 70’s because they were cheap, easy to make, and knew how to get butts in the seats with gratuitous violence and lots of nudity. Ti West elevates the style in a very meta way.”
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“Rapoport creates an original, spunky workplace comedy aimed to reiterate the fact that feminism was never about women being better than men, but finding equality within the sexes.”
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“For all of its CGI set pieces and A-list co-stars…there’s next to nothing going on beneath the surface of The Adam Project.”
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“If you’re on board, sticking with Morosini’s rollercoaster will yield zany and icky surprises, as well as some delightfully committed performances.”
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“As a viewer and a fan, it makes me want to pause the documentary and restart it from the beginning; to (once again) spend those hours with a young, hungry, and thoroughly enjoyable Kanye West, instead of the contemporary West that already enshrouds so much of our everyday culture.”
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“Comedy Punks is a story of frustrations and failures, but it is not a story of giving up.”
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“…this show spoon feeds too many oversimplified storylines and elementary level characters to viewers in a frustratingly generic fashion.”
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“Somewhere in this film is a story about shared traumas and grief, and the self-realizations born within…However, Campbell-Hughes doesn’t dive deep enough or write distinct enough voices for this story to take off, and so it stays mired.”
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“[Zahida Pirani] is able to illustrate authenticity by dedicating the film to real women in her hometown of Queens, New York.”
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“…in the end, it’s a game of style over substance for The Cellar."
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"Gold features a story that is lean and minimal, yet potent and unforgettable, thanks to Efron’s strong solo performance and Hayes’ remarkable sense of filmmaking.”
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