“…Larson, Parris, and Vellani work together like they have been doing this for years. Their chemistry together is infectious, and it's hard to imagine not having a great time making this movie.”
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“Eileen has moments of promise but ultimately falls short.”
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“Through an emotionally charged narrative, [Andrew Haigh’s] film transcends conventional storytelling to touch the very core of one’s soul.”
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“…despite the calculating, ultra-precise demeanour his films might convey, it's clear [David Fincher is] a man who cares deeply, just like the titular killer.”
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“I went into the film expecting a horror comedy only to not laugh once - not because of bad humor, but because the film takes itself way too seriously.”
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“As Bella Baxter, [Emma Stone] is nothing short of extraordinary. From the very first scene, she is unrecognizable; there is no Stone, only Bella.”
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“There’s a magnetism to [Jodie Comer’s] performance, a genuine electricity whenever she’s on the screen held only by the truest and best actors.”
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“[L]ike the best soups, Here is a film that takes its time, lets its components simmer and comingle, develop their depth at a pace that feels natural.”
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“Red Rooms is an assured piece of cinema - one that starts off simple enough and slowly but surely delves deeper and deeper into places and worlds we’d rather not see.”
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“…"the script and the performances must be top-notch, and Anatomy of a Fall delivers on both in spades.”
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“…the deadpan humour and moody Montreal setting make Humanist Vampire a delight to watch.”
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