“ The near-overwrought Sundance-y vibe—35mm photography and all—works to The Invite’s strong though seldom cozy sense of intimacy.”

“Couture is the type of film that entirely relies on your buy-in to its’ bleak world building.”

“‘Toy Story’ has gone from a millennial childhood staple to a life affirming saga that has cemented a unique creative voice for a second era of storytelling with this fifth entry.”

“Blue Film is a fascinating and nonjudgmental exploration of a dynamic that seems impossible to portray with anything but venom.”

“The Death of Robin Hood starts and ends at the deconstruction of the character, which is more conceptually interesting than it is in the final product.”

“The ensuing spectacle is an equally paranoid and optimistic ride that is both fueled and hindered by Spielberg’s aging sensibility.”

“‘Scary Movie’ is neither funny nor clever... I don’t think I want White Chicks 2 anymore.”

“Carolina Caroline is delightfully old school in many aspects but at heart, it’s true thrills simply come from watching Weaving and Gallner take each other in.”

“If Travolta wanted to spin boyhood tales for the rest of his career, I would welcome it. It’s immensely respectable to see an industry legend make a directorial debut at seventy two that is completely uncompromising in its vision.”

“Where ‘Tuner’ really shines is in its editing, sporting many great montages that keep the pace as tight as possible.”