“For better or worse, this is an unapologetic celebration of Elvis, and a wildly entertaining one at that.”
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“It’s easy to leave the film believing that Fennell may be a better writer than expectation setter, and somehow bad at both.”
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“…Crime 101 is a reliably well-oiled machine that, given its intimidating two-hour and twenty-minute runtime, moves fast and looks good doing it.”
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The Odyssey, Dune: Part Three, The Drama, Mother Mary, and The Bride! are most definitely at the top of my watchlist, but here are a few others you may have not heard about that you should want to keep an eye out for.
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“It is a film that is constantly selling. Fitting for a story dealing with the world of professional sports, but only slightly less bleak than the ads for different AI platforms that inundated the entire Super Bowl.”
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“Kogonada is skillfully able to pull the viewer out of one’s head and remind us that we’re all specs of of the same universe.”
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“Setting aside the plethora of issues that plague this movie, Whistle just…isn’t scary.”
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“For what appears to be a lower budget than Verbinski usually works with, he makes the most of it with his trademark blue-tinged visual aesthetics and playful energy. “
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“Like so many other films released this time of year, this one is not great, but it's also too well intentioned and too well cast to be entirely discounted.”
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“So rarely do we get a story like Pillion that is entirely comfortable dwelling in the ambiguity that stems from living a marginalized lifestyle.”
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“[Mark] Fischbach’s overzealous attempt to craft a complex character driven story around the lore of a 2022 indie video game - essentially a windowless submarine simulator - sinks.”
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