“…there are glimpses into what could’ve been a compelling portrait of young queer folks living on the outskirts of society, but they’re over quickly.”
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“It often presents issues as talking points in a glossy pitch deck, gesturing as to say something profound without ever truly pushing a boundary.”
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“Undertone feels like a forced live action video component to the kind of hokey, dime a dozen podcast that your co-worker swears is actually good".”
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“It’s been days since I’ve seen Project Hail Mary, and I’m still wrapping my head around how this movie exists and what we did to deserve it.”
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“Hoppers feels relatively uncompromised and fresh compared to the recent swath of Pixar sequels, effectively balancing entertainment and emotion to the animation studio’s signature splendid effect”
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“The direction is restrained; this may have the premise of a horror film but it is not paced that way.”
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“The kills are entertaining, if not blindingly silly — with an acute blindness to glaring plot holes.”
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“It’s an aggressively mediocre slasher movie dampened by the hideous stink of corporate meddling.”
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“For better or worse, this is an unapologetic celebration of Elvis, and a wildly entertaining one at that.”
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“It’s easy to leave the film believing that Fennell may be a better writer than expectation setter, and somehow bad at both.”
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“…Crime 101 is a reliably well-oiled machine that, given its intimidating two-hour and twenty-minute runtime, moves fast and looks good doing it.”
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