“Hansen-Løve’s film […] is a dramatically subdued affair, but one that reveals a flowering complexity through its multi-layered approach to storytelling and its humane ruminations on the islands we forge for creative fulfillment amongst personal disillusionment.”
Read More“Each of the fight scenes are beautifully shot and well choreographed.”
Read More“…it’s the style and elegance infused into many of the technical aspects of this film by writer and director Haya Waseem that makes this production abundantly praiseworthy.”
Read More“…Encounter ultimately proves to be a tense and emotionally gripping ride.”
Read More“[Justine] Bateman earns substantial praise for tackling this subject matter in the bold and courageous way that she does in Violet.”
Read More“All the Moons is slower-paced vampire fare, and short on the grisly thrills that fans of the genre have come to love, but it is thick with the genre’s intoxicating moroseness, and an almost storybook-like structure with distinct phases.”
Read More“The dark comedy aspect of the film is an asset to the entertainment value.”
Read More“McKie enlisted real dancers in the Tokyo scene for his film, and it is both exhilarating and enlightening to see how the dance styles of popping, locking, voguing, krumping and more express themselves with Tokyo’s modern hip-hop disciples.”
Read More“…meticulous attention to detail…brisk pacing, and the comedic interactions between the characters lends this film to being easily rewatchable.”
Read More“Hotel Poseidon arrives at Fantasia International a mold and muck-ridden disasterpiece of nightmare cinema.”
Read More“Reece yanks at the strings behind Agnes with devilish glee, and builds upon the chops he earned in his previous two horrors to make Agnes his most spellbinding and formally refined picture yet.”
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