“An aggravating premise isn’t enough, though, for me to downplay the beauty within Digger.”
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The Cave Of Adullam is a cinematic presentation - both topically and stylistically - that is worthy of the big screen.
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“The desire and the yearning to be more, to do more, and to be seen and accepted by more people, is a condition that affects all us social beings, and Karaoke reminds us that just because we get older, this desire doesn’t leave us.”
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“The film captures emotion in its most raw and captivating form; ‘Benediction’ is a cleansing of the soul.”
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Tsangari, a filmmaker, longtime producer for Yorgos Lanthimos, and pioneer of the Greek Weird Wave, is a 21st century master of deadpan humor.
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“…Sandler - like most everyone involved in the making of Hustle - is a no-holds-barred basketball enthusiast; and Hustle is nothing if not a work of obsession.”
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“Machoian and cinematographer Oscar Ignacio Jimnénez work like they have before, relaying their tale via long/medium-wide shots and long takes, their refusal to cut allowing Joe’s follies to go from comical, to tragic, and back again in real time.”
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“Official Competition is not your typical comedy, as it leans more into darkness and absurdity, but for film lovers, it's highly self-aware take on the industry is masterfully entertaining and utterly hysterical.”
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“Guidance is right on the cusp of greatness. The film is brimming with stellar performances, expert direction, and dazzling cinematography, yet it falls short in expanding the narrative.”
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“Despite the film’s name, Navalny is not a biography of Alexie Navalny...It is, quite frankly, some much deserved anti-Kremlin messaging. And, as such, it is certainly well made.”
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“The phrase ‘finding the artist within’ holds new meaning here, Cronenberg maybe looking at his own ideas as the abnormal growths inside of him, maybe turning his lens on himself and finding the body horror in his own creative processes.”
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