“It is clear that this film is to be enjoyed the same as a classic fable, where the audience can be swept away into a world of wholesome intentions and happy endings.”
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“…here are a few selections that got me through the first weekend of the festival.’
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“Viva Lee, alongside her co-stars Muriel Dutil and Khamisa Wilsher, enchant with their non-verbal performances.”
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“The dialogue is honest and each scene lends itself to be a great insight into the characters psyche.”
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“Hemsworth makes Spiderhead entirely worthwhile, a rare feat for what amounted to an early summer Netflix dump. That’s because Hemsworth understood the assignment.”
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“Stevens has taken this premise and really run with it, turning the female revenge flick into a psycho-supernatural-mythological phantasmagoria.”
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“An aggravating premise isn’t enough, though, for me to downplay the beauty within Digger.”
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The Cave Of Adullam is a cinematic presentation - both topically and stylistically - that is worthy of the big screen.
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“The desire and the yearning to be more, to do more, and to be seen and accepted by more people, is a condition that affects all us social beings, and Karaoke reminds us that just because we get older, this desire doesn’t leave us.”
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“The film captures emotion in its most raw and captivating form; ‘Benediction’ is a cleansing of the soul.”
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Tsangari, a filmmaker, longtime producer for Yorgos Lanthimos, and pioneer of the Greek Weird Wave, is a 21st century master of deadpan humor.
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