In light of the ForReel team having recently been in Toronto, and in light of Egoyan’s Toronto-set sixth feature being released by the Criterion Collection, I re-investigate the film’s particular brand of erotica.
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“…the undeniable truth with The Woman King is that it contains some of the best acting performances of the year. Viola Davis is an absolute showstopper.”
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“Pearl is a blood soaked nightmare I didn’t want to wake up from.”
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“What this leaves us with is a white-knuckle thriller, a playbook meticulously crafted for ecoterrorists, and a damn great movie.”
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“With these top notch performances, a smartly written script, and a ghastly series of events, The Menu is sure to set itself apart as one of the most entertaining films of this season…”
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“Never has the Okanagan looked better—as rich and as lush—as in the frames of Jarvis’ film, Jeremy Cox’s gorgeous 16mm photography giving the area a tactility and a glow that digital simply couldn’t have offered.”
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“Audiences drawn to Causeway for either [Jennifer Lawrence or Brian Tyree Henry] will not be disappointed with what they offer the film.”
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“The first act has some of the best tension in a horror/thriller in years.”
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“Triangle of Sadness is a premium experience where classist themes and riotous drama are served on a silver platter.”
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“[T]he performances encompassed in Aronofsky’s film are deeply felt, vulnerable, and searing; the emotions they lay to waste numerous; the awe they command unquestionable.”
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“An eclectic montage of restored concert footage, Bowie interviews, and roughly every important piece of art of the 20th century (from Bergman to the Beatles) makes Moonage Daydream one of the most visually arresting films of the year.”
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