“Every slice, stab, and injury looks so realistic. At one point while looking at a broken leg, my stomach was turning.”
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In light of the ForReel team having recently been in Toronto, and in light of Egoyan’s Toronto-set sixth feature being released by the Criterion Collection, I re-investigate the film’s particular brand of erotica.
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“…the undeniable truth with The Woman King is that it contains some of the best acting performances of the year. Viola Davis is an absolute showstopper.”
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“Pearl is a blood soaked nightmare I didn’t want to wake up from.”
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“What this leaves us with is a white-knuckle thriller, a playbook meticulously crafted for ecoterrorists, and a damn great movie.”
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“With these top notch performances, a smartly written script, and a ghastly series of events, The Menu is sure to set itself apart as one of the most entertaining films of this season…”
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“Never has the Okanagan looked better—as rich and as lush—as in the frames of Jarvis’ film, Jeremy Cox’s gorgeous 16mm photography giving the area a tactility and a glow that digital simply couldn’t have offered.”
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“Audiences drawn to Causeway for either [Jennifer Lawrence or Brian Tyree Henry] will not be disappointed with what they offer the film.”
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“The first act has some of the best tension in a horror/thriller in years.”
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“Triangle of Sadness is a premium experience where classist themes and riotous drama are served on a silver platter.”
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“[T]he performances encompassed in Aronofsky’s film are deeply felt, vulnerable, and searing; the emotions they lay to waste numerous; the awe they command unquestionable.”
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