“Zahida Pirani is the writer and director of El Carrito , and in this interview, I talk with her about the process of making this movie and how community played a vital role in the short film's development.”
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“By removing toxicity from the equation, Watch Out For The Big Grrrls brings the dancing to the forefront of the show, second only to the show’s robust messaging about embracing self-love.”
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“…an uneasy score sets a haunting tone for the film and keeps the tension high as mild pacing and well placed long takes give scenes space to manifest suspense.”
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“Moore never lets up the pressure, advancing the story every second he gets.”
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“The characters are unlikable, the plot is laughable, and the only saving grace is the cinematography. Deep Water drowns in its own drama.”
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“It is remarkable how Everything Will Be All Right delves into such deep threads of life as a short film when many features struggle to do so.”
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“If the sound unifies, speaks to the soul, and if it transcends—as has been the case with Cymande staples like “Bra” and “Dove”—then Cymande is proof that forward-thinking listeners will naturally cultivate a respect for the past.”
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“Grindhouse was big in the 70’s because they were cheap, easy to make, and knew how to get butts in the seats with gratuitous violence and lots of nudity. Ti West elevates the style in a very meta way.”
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“Rapoport creates an original, spunky workplace comedy aimed to reiterate the fact that feminism was never about women being better than men, but finding equality within the sexes.”
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“For all of its CGI set pieces and A-list co-stars…there’s next to nothing going on beneath the surface of The Adam Project.”
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“If you’re on board, sticking with Morosini’s rollercoaster will yield zany and icky surprises, as well as some delightfully committed performances.”
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