Together, Taylor, Todd, and Thomas discuss a diverse selection of films from TIFF’s program categories that we are excited about seeing at the festival, as well as what we’re looking forward to most in Toronto.
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“[Aubrey] Plaza commits to her role, offering one of the most riveting performances of the year so far.”
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“In the balance between style and substance, Please Baby Please wields both in a pleasantly symbiotic manner, deftly pairing its neon 1950’s setting with bewitching tension and ample sex appeal between its characters.”
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“A pandemic and mid-tier movie drought have ravaged theaters, taking their Twinkies off the shelves. But with Bullet Train, shamelessly glutenous cinema is back and I’m here for it.”
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“This year, TIFF promises to once again offer an incredible lineup of feature films, short films, episodic debuts, and events.”
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“Bubba Ho-tep is the story of two men at the end of their trails who find they can be of use again; who find one last fight to fight.”
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“Here Be Dragons forces viewers to work through major lulls for little pay off.”
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The first episode drags a tad, but as Emma becomes enthralled in uncovering secrets, the true hijinks that ensues becomes more and more riveting.
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“It plays more sardonically in the story that is less reminiscent of Clue and more like if the plastics of Mean Girls were dropped into Lord of The Flies.”
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“What truly shines is the film's sound design and score, which create a cavernous aural environ that hits you on a guttural level, and envelops you in feelings of dread and distress.”
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“The film is flat and overall unremarkable with a story that is intended to be empowering, but just comes off as forced, stereotypical, and bland.”
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