“The editing, cinematography, the colours, and the performances all work in a sincere and elemental harmony, helping define Jockey not by a few standout scenes but by the overall impression it leaves in the end.”
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“Wright’s restrained direction keeps things hushed and listless, and the film’s images inspire a calm and awe.”
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“The characters of Eight for Silver are maddeningly flat, almost rendered static by the film’s dark tones, while Ellis’ script gives them precious little to actually do.”
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“As if I Was A Simple Man is this year’s Portrait Of A Lady On Fire when it comes to sound, the film captures every nuance of every sound in exquisite detail.”
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“In 2008, the band Sparks committed to performing 21 of their albums in full across 21 nights. Four additional albums later, in 2021, Edgar Wright seems committed to doing the exact same thing via documentary.”
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“In the Earth is a micro-budget experiment in maximizing feelings of frustration and disorientation.”
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One for the Road is a monumental ballad to friendship, painted in broad strokes across multiple cities and stages of life.
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“I laughed. I teared up. And in the end, I felt good.”
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“With a talented cast and an intimate story to tell, Raspberry explores emotions in surprising and endearing ways.”
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Richard Kelly’s cult phenomenon hit Sundance 20 years ago today — what better time to open up another portal.
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I personally watched more films this year than in any year previous, and while much of this viewing was me finally chipping away at the sizeable watchlist I’ve been compiling over the years, I also tried to keep up with the many fantastic new releases that managed to breach our troubled waters and see the light of day. Let’s break them down.
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