“Reinsve, in a Cannes Best Actress-winning performance, embodies all the tumult of her character’s wild and wavering inhibitions, her angst filtered into pointed attacks as often as it is re-directed inwards.”
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“The character development that ensues in Émilie, Camille, Nora, and Amber is a marvel to behold…”
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“…demand for experiencing Memoria is sure to be feverish - and I’m obliged to add fuel to that fire.”
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“The In-Laws is a wholly surprising and galvanizing time at the movies, equal parts shock and delight, that is sure to unite crowds in unanimous laughter and applause.”
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“Hansen-Løve’s film […] is a dramatically subdued affair, but one that reveals a flowering complexity through its multi-layered approach to storytelling and its humane ruminations on the islands we forge for creative fulfillment amongst personal disillusionment.”
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“Each of the fight scenes are beautifully shot and well choreographed.”
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“…it’s the style and elegance infused into many of the technical aspects of this film by writer and director Haya Waseem that makes this production abundantly praiseworthy.”
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“…Encounter ultimately proves to be a tense and emotionally gripping ride.”
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“[Justine] Bateman earns substantial praise for tackling this subject matter in the bold and courageous way that she does in Violet.”
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“All the Moons is slower-paced vampire fare, and short on the grisly thrills that fans of the genre have come to love, but it is thick with the genre’s intoxicating moroseness, and an almost storybook-like structure with distinct phases.”
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“The dark comedy aspect of the film is an asset to the entertainment value.”
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