“…[Dea] Lanzaro captures the maturity and whimsy of the role and ultimately shines bright in this debut acting performance.”
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“This is a film that will be remembered, cherished, honored even, because of what it makes you feel.”
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“It is a gentle, if not overly nostalgic, reminiscence of Linklater’s childhood - or some proxy of it.”
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“…an uneasy score sets a haunting tone for the film and keeps the tension high as mild pacing and well placed long takes give scenes space to manifest suspense.”
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“Moore never lets up the pressure, advancing the story every second he gets.”
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“The characters are unlikable, the plot is laughable, and the only saving grace is the cinematography. Deep Water drowns in its own drama.”
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“It is remarkable how Everything Will Be All Right delves into such deep threads of life as a short film when many features struggle to do so.”
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“If the sound unifies, speaks to the soul, and if it transcends—as has been the case with Cymande staples like “Bra” and “Dove”—then Cymande is proof that forward-thinking listeners will naturally cultivate a respect for the past.”
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“Grindhouse was big in the 70’s because they were cheap, easy to make, and knew how to get butts in the seats with gratuitous violence and lots of nudity. Ti West elevates the style in a very meta way.”
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“For all of its CGI set pieces and A-list co-stars…there’s next to nothing going on beneath the surface of The Adam Project.”
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“If you’re on board, sticking with Morosini’s rollercoaster will yield zany and icky surprises, as well as some delightfully committed performances.”
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“Comedy Punks is a story of frustrations and failures, but it is not a story of giving up.”
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“Somewhere in this film is a story about shared traumas and grief, and the self-realizations born within…However, Campbell-Hughes doesn’t dive deep enough or write distinct enough voices for this story to take off, and so it stays mired.”
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“[Zahida Pirani] is able to illustrate authenticity by dedicating the film to real women in her hometown of Queens, New York.”
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“…in the end, it’s a game of style over substance for The Cellar."
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"Gold features a story that is lean and minimal, yet potent and unforgettable, thanks to Efron’s strong solo performance and Hayes’ remarkable sense of filmmaking.”
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“[Pattinson] is edgier, moodier, very emo, offering a performance that will be talked about for decades to come.”
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“Where other new-age isolated thrillers like Woman In the Window, The Voyeurs, and Sightless, falter, Kimi flourishes.”
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“Do is an unparalleled master at depicting horror in its most introspectively engaging form.”
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“In its many years sitting shelved, Out of the Blue was still seen by the right people, and now it primal-screams out again.”
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