“…Amir-Ebrahimi is intoxicating in the role. You would have never suspected that she was not the original choice to play Rahimi…”
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“Watching Funny Pages is like overturning a rock and watching the bugs it concealed begin to writhe and squirm.”
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“We fall in love with Roger as he spends more time with Ellen and her son Seth (Christopher Convery, Gotham), becoming increasingly more invested in his story.”
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“What truly makes Empire of Light so captivating, however, are the visuals by cinematographer Roger Deakins (1917) and score by Trent Reznor and Atticus Ross (Gone Girl).”
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“Aftersun succeeds at being an emotionally moving feature, especially how intentional it is about restraint in its storytelling.”
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“You don't expect a road-trip movie about cannibals to change your worldview, but Bones and All is poignant enough to do just that.”
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“Zombie has always dealt in nightmare matter, but in Halloween II the nightmare feels more personally upsetting, more visceral, more of-the-moment and more zeitgeist-informed than anything else he has produced.”
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“World War I was an entirely miserable affair. That All Quiet on the Western Front is able to capture all that misery, without itself being dragged down by it, is a testament to the power of the filmmakers and the stars, especially lead actor Felix Kammerer.”
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“Cate Blanchett is phenomenal as Lydia Tár; a true force to be reckoned with.”
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“…it’s the performances from Close’s young actors Eden Dambrine and Gustav De Waele that endows Close with the real heartrending power that the film possesses.”
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“The Locust sees metafictional layer upon metafictional layer folded over a single, confined setting, where family members and crewmembers alike converge to battle for creative control over a filmmaker's personal passion project (and maybe life...?).”
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