“…Kammitsis envelopes this film with enough of the feel-good vibes…”
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“The Girl and the Spider is a film that feels maddeningly opaque, even though it offers an intimate view behind the walls at daily life.”
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“Reinsve, in a Cannes Best Actress-winning performance, embodies all the tumult of her character’s wild and wavering inhibitions, her angst filtered into pointed attacks as often as it is re-directed inwards.”
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“The character development that ensues in Émilie, Camille, Nora, and Amber is a marvel to behold…”
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“…demand for experiencing Memoria is sure to be feverish - and I’m obliged to add fuel to that fire.”
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“The In-Laws is a wholly surprising and galvanizing time at the movies, equal parts shock and delight, that is sure to unite crowds in unanimous laughter and applause.”
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“Hansen-Løve’s film […] is a dramatically subdued affair, but one that reveals a flowering complexity through its multi-layered approach to storytelling and its humane ruminations on the islands we forge for creative fulfillment amongst personal disillusionment.”
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“Each of the fight scenes are beautifully shot and well choreographed.”
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“…it’s the style and elegance infused into many of the technical aspects of this film by writer and director Haya Waseem that makes this production abundantly praiseworthy.”
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“…Encounter ultimately proves to be a tense and emotionally gripping ride.”
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“[Justine] Bateman earns substantial praise for tackling this subject matter in the bold and courageous way that she does in Violet.”
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