“As we like to do, Taylor Beaumont and myself hopped on a video call with our friend Taylor Baker from Drink In The Movies in Seattle to discuss which films we saw that stood out the most to us.”
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“In Katia and Maurice, Dosa has found a real-life fairytale; a too-pure and wholesome tale of love that will echo throughout the ages and teach us how to better care for ourselves and for our world.”
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“…It is as if the film is dictated by a horny energy that threatens to unspool its entire construction.”
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“…as we see in the case of Boeing, the consequences of not asking enough questions about conglomerates claiming to be doing the right thing can be devastating.”
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“As the lanky and terminally unenthused Lea, McInerny assumes the role of the almost-invisible everygirl in America, the one wading in the shallow, tepid waters of suburbia, often housing a sordid story the world would prefer to ignore.”
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“Kogonada’s biggest strength as a filmmaker is his ability to align himself with his characters, and to demonstrate with his craft that he too is as invested in these soul-nourishing searches as they are.”
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“Teaming up with screenwriter Lauryn Kahn, [Cave] has spun a contorted tale of modern dating, which throughout its two-hour runtime keeps its unique mélange of horror stewing and always developing new flavours.”
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“…Eisenberg curates a story here that is both endearing and aggravating.”
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“The confused in Stroszek are poignantly realized in Herzog’s immigrants, who, as well as battling internal conundrums, are also facing culture shock, discrimination, language barriers, and more.”
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“It’s a beautiful film to watch with visually stunning sequences worthy of the big screen experience.”
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“The French Dispatch […] is as exuberant, whimsical, and meticulous as anything Anderson has produced, while also being chock full of an intoxicating mélange of new tricks.”
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“…Kammitsis envelopes this film with enough of the feel-good vibes…”
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“The Girl and the Spider is a film that feels maddeningly opaque, even though it offers an intimate view behind the walls at daily life.”
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“Reinsve, in a Cannes Best Actress-winning performance, embodies all the tumult of her character’s wild and wavering inhibitions, her angst filtered into pointed attacks as often as it is re-directed inwards.”
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“The character development that ensues in Émilie, Camille, Nora, and Amber is a marvel to behold…”
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“…demand for experiencing Memoria is sure to be feverish - and I’m obliged to add fuel to that fire.”
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“The In-Laws is a wholly surprising and galvanizing time at the movies, equal parts shock and delight, that is sure to unite crowds in unanimous laughter and applause.”
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“Hansen-Løve’s film […] is a dramatically subdued affair, but one that reveals a flowering complexity through its multi-layered approach to storytelling and its humane ruminations on the islands we forge for creative fulfillment amongst personal disillusionment.”
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“Each of the fight scenes are beautifully shot and well choreographed.”
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“…it’s the style and elegance infused into many of the technical aspects of this film by writer and director Haya Waseem that makes this production abundantly praiseworthy.”
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