“[I]f the placidity of the filmmaking inspires in you any sort of zen-like patience, then it will also disarm and entrance you in profoundly stirring ways.”
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“It’s a genuinely funny script, and both Portman and Moore clearly relish the opportunity to stretch their comedic legs.”
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“…Despite feeling somewhat generic and being way too late to the 80s nostalgia of the 2010s, Totally Killer is an entertaining whodunnit/star vehicle"…”
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“The Royal Hotel is a masterclass in tension building.”
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“Saltburn is a glorious, rip-roaring ride of a film that sits on the knife-edge between comedy and thriller, delivering on both counts.”
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“It’s not that this is uninteresting - Tom Hiddleston and Owen Wilson’s effortless banter never gets old - but, at times, it feels like the show is repeating story beats to avoid committing to the consequences promised.”
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So, of all of the TIFF movies we saw, which ones were our favorites? Here’s what each of the ForReel team members had to say about that.
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“While the story is predictable at times, the craftsmanship keeps Solo a radiant film.”
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The transition from demon horror to a classic creature feature is seamless, and the design of the Pischacha is one of the most impeccably designed indie-horror monsters I have ever seen.
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“…in a year full of noteworthy biopics, this film is a triumph among them.”
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“Dumb Money, with all of the highs and lows of the stories at hand, certainly works as a crowd pleasing film.”
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