“As Bella Baxter, [Emma Stone] is nothing short of extraordinary. From the very first scene, she is unrecognizable; there is no Stone, only Bella.”
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“There’s a magnetism to [Jodie Comer’s] performance, a genuine electricity whenever she’s on the screen held only by the truest and best actors.”
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“[L]ike the best soups, Here is a film that takes its time, lets its components simmer and comingle, develop their depth at a pace that feels natural.”
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“Red Rooms is an assured piece of cinema - one that starts off simple enough and slowly but surely delves deeper and deeper into places and worlds we’d rather not see.”
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“…"the script and the performances must be top-notch, and Anatomy of a Fall delivers on both in spades.”
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“…the deadpan humour and moody Montreal setting make Humanist Vampire a delight to watch.”
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“…a film's ending can absolutely make or break the entire impression one has of a movie, and in Foe's case, it makes it.”
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“The story itself is interesting enough, but the source of the film's brilliance is the pair of central performances delivered by Mulligan and Cooper.”
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“…it's difficult not to recommend the film. Edwards has a particular gift for visuals, and The Creator is no exception.”
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“The result is an ending that packs an even greater punch thanks to the care and compassion that's been taken to get there.”
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“[I]f the placidity of the filmmaking inspires in you any sort of zen-like patience, then it will also disarm and entrance you in profoundly stirring ways.”
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“It’s a genuinely funny script, and both Portman and Moore clearly relish the opportunity to stretch their comedic legs.”
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“…Despite feeling somewhat generic and being way too late to the 80s nostalgia of the 2010s, Totally Killer is an entertaining whodunnit/star vehicle"…”
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“The Royal Hotel is a masterclass in tension building.”
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“Saltburn is a glorious, rip-roaring ride of a film that sits on the knife-edge between comedy and thriller, delivering on both counts.”
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“It’s not that this is uninteresting - Tom Hiddleston and Owen Wilson’s effortless banter never gets old - but, at times, it feels like the show is repeating story beats to avoid committing to the consequences promised.”
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So, of all of the TIFF movies we saw, which ones were our favorites? Here’s what each of the ForReel team members had to say about that.
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“While the story is predictable at times, the craftsmanship keeps Solo a radiant film.”
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The transition from demon horror to a classic creature feature is seamless, and the design of the Pischacha is one of the most impeccably designed indie-horror monsters I have ever seen.
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“…in a year full of noteworthy biopics, this film is a triumph among them.”
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