“The film was not made with mainstream appeal in mind. Early knows his audience and plays hard for them.”
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“Panahi employs few, if any, flashy camera moves or tricks, instead relying on long takes with a relatively stationary camera. This allows most of the focus to remain on the characters, who have differing proposals on how to escape their quagmire.”
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“‘Noviembre’ is an astonishing work of filmmaking, and one of the best not just of TIFF, but of the year so far.”
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“It’s a swan song as much as it is a victory lap, and the duo makes the most of their 100-minute runtime. It’s sweeter than it is bitter, but it’s also the end of an era for two of Toronto’s finest.”
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“…[Oliver] Laxe lulls you into a trance thanks to composer Kangding Ray’s electro-heavy score that feels like having your brain flossed.”
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“… these are the World Premiere films that could surprise you, entertain you, and spark conversation.”
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“25th Hour is one of Spike Lee's most moving films. It's thematically complex and still holds up 23 years later.”
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“As an exercise in storytelling, Burning succeeds spectacularly. Each of the stories is compelling, and the filmmaking in each heightens the horrors that the family is facing.”
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“It might be the least Spike Lee Spike Lee film, but he and cinematographer Matthew Libatique make sure that it is still very much a Spike Lee film at least in tone and feel.”
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“…Lee wants us considering the ripple effects that these cold-blooded killings have on a hyper-proud, hyper-macho and fiercely tight-knit community…”
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“Bamboozled doesn’t work today because its satire was strictly true in 2000. It works because it’s still true today.”
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