“In an era where it feels like the old guard of horror is gone…it’s a pleasure to have someone like Sam Raimi come in to show everybody else how it’s done.”
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“The Rip may not reach the heights of some of the other action and crime films these men have starred in, but it is certainly of a higher caliber than Netflix usually goes for.”
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“In the hands of a lesser filmmaker, ‘28 Years Later: The Bone Temple’ could’ve had the stink of a direct-to-DVD sequel, but instead exceeds (and subverts) all expectations.”
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“…’People We Meet On Vacation’ is a fine movie, but that's all it is. It's never challenging, surprising, or remarkable in any way, except maybe for the aforementioned attractive people.”
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“…on the whole this series has devolved into dour sludge, decaying alongside the world it depicts.”
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“…none of the emotional beats in We Bury The Dead hold a candle to the heartbreaking apocalyptic family saga that Danny Boyle began in 28 Years Later earlier this year.”
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“…the visual splendor of what’s now a nine-hour franchise is such a breathtaking work of cinematic craftsmanship that its cookie-cutter storytelling becomes entirely irrelevant.”
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“Chalamet will undoubtedly get his flowers, but here, Josh proves he's always had what it takes to command the screen flying solo.”
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“I cannot imagine how a Silent Night, Deadly Night remake could’ve gone any better than this.”
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“My issue with these movies is technical. These animatronics are simply too large and cumbersome to lend themselves to any entertaining on screen chaos.”
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