“It’s easy to leave the film believing that Fennell may be a better writer than expectation setter, and somehow bad at both.”
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“…Crime 101 is a reliably well-oiled machine that, given its intimidating two-hour and twenty-minute runtime, moves fast and looks good doing it.”
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The Odyssey, Dune: Part Three, The Drama, Mother Mary, and The Bride! are most definitely at the top of my watchlist, but here are a few others you may have not heard about that you should want to keep an eye out for.
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“It is a film that is constantly selling. Fitting for a story dealing with the world of professional sports, but only slightly less bleak than the ads for different AI platforms that inundated the entire Super Bowl.”
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“Kogonada is skillfully able to pull the viewer out of one’s head and remind us that we’re all specs of of the same universe.”
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“Setting aside the plethora of issues that plague this movie, Whistle just…isn’t scary.”
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“For what appears to be a lower budget than Verbinski usually works with, he makes the most of it with his trademark blue-tinged visual aesthetics and playful energy. “
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“Like so many other films released this time of year, this one is not great, but it's also too well intentioned and too well cast to be entirely discounted.”
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“So rarely do we get a story like Pillion that is entirely comfortable dwelling in the ambiguity that stems from living a marginalized lifestyle.”
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“[Mark] Fischbach’s overzealous attempt to craft a complex character driven story around the lore of a 2022 indie video game - essentially a windowless submarine simulator - sinks.”
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“Wonder Man is a pure passion project driven by a desire to make everyone who has somehow stuck around feel something again.”
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“Strap in: you never know what Drax and the guy who almost got cast as Drax are going to say next.”
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“…a brisk pace and two lead performances dialed up to 11 will keep your attention.”
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“In an era where it feels like the old guard of horror is gone…it’s a pleasure to have someone like Sam Raimi come in to show everybody else how it’s done.”
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“The Rip may not reach the heights of some of the other action and crime films these men have starred in, but it is certainly of a higher caliber than Netflix usually goes for.”
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“In the hands of a lesser filmmaker, ‘28 Years Later: The Bone Temple’ could’ve had the stink of a direct-to-DVD sequel, but instead exceeds (and subverts) all expectations.”
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“…’People We Meet On Vacation’ is a fine movie, but that's all it is. It's never challenging, surprising, or remarkable in any way, except maybe for the aforementioned attractive people.”
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“…on the whole this series has devolved into dour sludge, decaying alongside the world it depicts.”
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“…none of the emotional beats in We Bury The Dead hold a candle to the heartbreaking apocalyptic family saga that Danny Boyle began in 28 Years Later earlier this year.”
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