“It doesn’t always sing in key but its ideas are bold enough to carry the tune.”
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“…I cannot help but be completely annoyed with this level of immaturity.”
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“Gruesome as it is, Hardcore Henry’s memorability comes from essentially being a live-action episode of Looney Tunes...It’s pure cinematic nutcasery, and I wouldn’t have it any other way.”
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“…it still feels so completely in spirit with the Nintendo; it’s an innocent excuse to let your brain cells float in zero gravity.”
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“Writer and director Erik Bork has created something clearly well-intentioned, but it does not commit enough to have a meaningful impact.”
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“By design, The Drama is going to be a pot-stirrer at the very least.”
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“…it's a throwback and a contemporary action flick rolled into one—the type of movie that would've sold out stadiums in the late 90s.”
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“The central romance is as yearning-laden as it is tender, as Naim and Ryan’s chemistry levels are off the charts.”
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“Rose Byrne continues her streak of forceful, unglamorous performances in Tow following career best work in If I Had Legs I’d Kick You.”
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“Obsession is an early contender for best horror film of the year.”
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“Ready or Not 2: Here I Come is a perfectly satisfying if entirely unremarkable redux of the original with just barely enough new wrinkles to feel worthwhile.”
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“It just could’ve been so much better if Carney had played to his screenwriting strengths and given us a dynamic centered around a deep and quickly growing friendship.”
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“Family Movie is at its’ most entertaining when it is existing at some divine intersection between The Studio and Serial Mom. It is a delight to watch the stressful on-set machinations of an indie film shooting on a quaint family farm.”
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“The jokes are delivered by an outstanding stacked cast who totally buy into this transgressive material, even if Hamedani’s screenplay doesn’t entirely deliver a satisfying gut punch.”
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“For better or worse, there's not a minute of ‘I Love Boosters’ that doesn't feel authentically man-made.”
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“The film feels, at times, to be a randomly generated series of tangentially related vignettes.”
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“…there are glimpses into what could’ve been a compelling portrait of young queer folks living on the outskirts of society, but they’re over quickly.”
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“It often presents issues as talking points in a glossy pitch deck, gesturing as to say something profound without ever truly pushing a boundary.”
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“Undertone feels like a forced live action video component to the kind of hokey, dime a dozen podcast that your co-worker swears is actually good".”
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“It’s been days since I’ve seen Project Hail Mary, and I’m still wrapping my head around how this movie exists and what we did to deserve it.”
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